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As a necessary or perhaps completely irrelevant insight into this reviewer’s tastes, available in this section will be a list, always in flux, of some of his personal favorite films:

  • The Passion of Joan of Arc (Dreyer, 1928)
  • Trouble in Paradise (Lubitsch, 1932)
  • Rules of the Game (Renoir, 1939)
  • Double Indemnity (Wilder, 1944)
  • Late Spring (Ozu, 1949)
  • The Third Man (Reed, 1949)
  • The Seventh Seal (Bergman, 1957)
  • White Nights (Visconti, 1957)
  • Vertigo (Hitchcock, 1958)
  • Touch of Evil (Welles, 1958)
  • L’Avventura (Antonioni, 1960)
  • 8 1/2 (Fellini, 1963)
  • Goldfinger (Hamilton, 1964)
  • Le Samoura├» (Melville, 1967)
  • Cries and Whispers (Bergman, 1972)
  • The Long Goodbye (Altman, 1973)
  • Chinatown (Polanski, 1974)
  • Barry Lyndon (Kubrick, 1975)
  • Apocalypse Now (Coppola, 1979)
  • Stalker (Tarkovsky, 1979)
  • Ran (Kurosawa, 1985)
  • The Killer (Woo, 1986)
  • Blue Velvet (Lynch, 1986)
  • The Princess Bride (Reiner, 1987)
  • Full Metal Jacket (Kubrick, 1987)
  • Dead Man (Jarmusch, 1995)
  • Flowers of Shanghai (Hou, 1998)
  • Beau Travail (Denis, 1999)

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